The interior of the Chapel is filled with intricate carvings. Among those are a sequence of 213 cubes protruding from pillars and arches with a selection of patterns on them. The nature and meaning of these patterns have long been a mystery, until recently. Thomas and Stuart Mitchell have interpreted the patterns as a musical score, where the patterns is viewed as those seen in the study in cymatics.
Thomas and Stuart Mitchell placed powder upon a flat surface, vibrating at different frequencies, to recreate the patterns found on the so called "musical boxes". These Chladni Patterns were then matched to their corresponding musical frequencies, to write a musical tune that the team calls the "Rosslyn Motet".
Notice the pitch of the oscillator, hum the pitch to yourself and keep humming until u hear the first note of the choir. You will notice that they are one and the same.
1 comment:
using humming sound to generate patterns is really an interesting discovery!
Post a Comment