" (I propose) a method of design based purely on sounds of site. The ultimate goal is that sensitizing the designer to the contextual soundscape culminates in an awareness of all the sensory and supra-sensory perceptual aspects of the site not only as a source of inspiration and tool for design but also as a means of creating spaces that in turn fully engage the perceptual capacities of the user." - Kourosh Mavash
Both Schafer and Mavash have called for soundscaping and sound analysis to be an integral part of the architecture design process. In Mavash's paper SITE + SOUND : SPACE (presented in the Architecture|Music|Acoustics International Cross-Disciplinary Conference; Ryerson Univeristy, Toronto, Canada; 8-10 June, 2006), a number of representational methods are listed to help instigate the design process:
Contextual Sound Piece: a recording of the aural experience of space, letting the aural elements described the space.
Spatial Sound Instrument: walkthrough instrument to regenerate sounds of the site
Sound Collage: assemblage of aural media (sounds, songs, words, music...etc) to describe elements within the site
Interpretive Sound Piece: free interpretation of site through composed sound pieces
Associative Sound Piece: explorative use of vibrations (inaudible sounds) to describe the site.
The following are contextual sound pieces taken in various locations in Cairo. Unfortunately the quality isn't as pristine as I would have hoped. If my thesis does end up going in this direction, better samples will be gathered during my visit to Cairo this winter. You might want to put on headphones for this one.
In the courtyard of Mohamed Ali Mosque
Underneath the dome of Mohamed Ali Mosque
On el Mu'izz street, infront of al Hakim mosque
On el Mu'izz street, infront of of mosque and sabil-kuttab of Sulayman Agha al-Silahdar
On el Mu'izz street, between al-Silahdar complex and Qalaqun complex
Murray Schafer bio: http://en.wikipedia.org/wiki/R._Murray_Schafer
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